![]() Madame Giry claims to have seen him in a freakshow in a traveling fair several years before, where it was said that he was formerly a torturer for the Shah, and that she later heard he had escaped. Adaptation Expansion: The 25th anniversary performance at the Royal Albert Hall, which features several parts of the original libretto that usually aren't performed, expands upon the Phantom's backstory, incorporating elements of it from the novel.Adaptational Nationality: Carlotta is Spanish in the book, but the musical makes her Italian.Though this is averted for Christine in the Hungarian, Swedish and Finnish productions. Adaptation Dye-Job: Christine is a brunette, despite being a blonde in the novel, and vice versa for Meg Giry.Given that he's supposed to be an experienced and well-reknowned opera singer, it seems odd that he can't understand simple stage instructions such as "accent on the first syllable" aside from being unable to help it due to Italian opera habits. During the rehearsal scene in Act II, there is a bit where Piangi continually fails to understand that his line is "Those who would TAN-gle with Don Juan", not "Those who would tan-GLE with Don Juan".And in all likelihood, in her native Sweden she was known as KrisTIna.Sources outside the musical agree on the former, but the musical itself uses the latter because the music was originally written to accommodate the name "Kristen". There seems to be no consensus as to whether the female lead's name is pronounced "ChrisTINE" or "CHRIStine".but unfortunately, it's also the Phantom's territory, and anyone who fails to follow his instructions to the letter is due for "a disaster beyond your imagination." ![]() The rest of the musical is set in the Opera House's heyday, when it's a lot more glamourous. Abominable Auditorium: In the prelude, the Opera Populaire is a ruin being used as a makeshift auction house where relics from the glory days can be sold off for a few francs - including Lot 666, a chandelier in pieces.See also the famous 1925 silent film by Universal starring Lon Chaney, which gave Webber additional inspiration for the 1986 musical. Love Never Dies, a stage sequel by Webber, premiered in 2010. In 2011, London's Royal Albert Hall hosted a 25th anniversary staging that was released on video the following year starring Sierra Boggess as Christine and Ramin Karimloo as The Phantom note both of whom originated the same roles in Webber's 2010 sequel Love Never Dies. The musical was itself made into a movie in 2004 after years in Development Hell, starring Emmy Rossum as Christine and Gerard Butler as Erik, the Phantom. Michael Crawford and Sarah Brightman originated the roles of the Phantom and Christine in Webber's play. First produced in the West End in 1986, where it runs to this day, before debuting on Broadway in 1988, becoming the longest-running show on the Great White Way with an impressive 35-year run before finally closing in April 2023. The Phantom of the Opera has perhaps its most well-known adaptation in Andrew Lloyd Webber's wildly successful musical.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |